» Mildred Lewis
Assistant Professor, Instructional Faculty

Wilkinson College of Arts, Humanities, and Social Sciences; Department of English
Mildred Lewis
Office Location:
Wilkinson Hall 222
Office Hours:
M/W 12-1 p.m., 2:30-3:30 p.m.; F 12-2 p.m.
(714) 744-7891
Freshman Foundations Program
Mildred Lewis has most recently published book reviews for Scope, The University of Nottingham's online film journal. She also has served an editorial reviewer for W.W. Norton's Looking at Movies (3rd. edition) and Bedford-St. Martin's forthcoming Critical Voices in Film Theory for which she also prepared a supplemental text. Her screenplays have been produced and screened on Encore/Starz and HBO. Her plays have been performed in theaters in Los Angeles, New York and Cincinnati. She completed graduate work at UCLA in film and African Area Studies with a focus on literature and film. She has taught at Chapman since 2000 and was named the Marilyn Harran Freshman Foundations for 2010.
Recent Creative, Scholarly Work and Publications
Competitively selected for the 2017-8 Writers' Pool. Will write four new pieces for the company.
"Transforming Silences" an essay in the Stages of Resistance series hosted by the Lark Theatre, an international theatre lab.
Visitation was produced in the Athena Cats' New Works Festival in Santa Monica, CA.
Bleed Black Bleed Blue Bleed Bleed was produced by the Smoked Apple Theatre Group in Louisville, KY in November 2016
Bleed Black Bleed Blue Bleed produced by the DC Black Theatre Festival at the Andrew Foster Theater (Galludet College) The play was also accepted for the 2015 LIC One-Act Festival (Secret Theatre) but I had to decline because I was not able to attend the mandatory performances.
Not Peace But A Sword was produced at Women’s Playwriting Festival (Two Muses Theater in Bloomfield, MI).
Accepted to the Vagrancy Theatre playwrights group to write a new full length play, The Boiler Room.
Contributed to a devised theatre piece,THE BOX, which was produced by the Sacred Fools Theatre in Los Angeles.
Those Who Visit, play produced by The Stage Left Theater for its Fast and Furious Festival.
Not Peace But A Sword, play produced for the Rockford New Play Festival.
Daily Habits Mask Pain, play produced at the Secret Theatre for the LIC One Act Play Festival.
The Etiquette Show, a comedy web series that I wrote, co-directed and co-produced was released in Summer 2013. The show has been released in Korea through HearSay English, and reviewed by the Independent Critic and in Blaze and the WebVee Guide. The show was also presented at Big Screen Little Screen at the Screen Actors Guild's James Cagney Theater.
Staff Writer, www.ARGN.com. Wrote articles about transmedia artist Lance Weiler, Alcatraz (Fox), Disneyworld's Sorcerers of the Magic Kingdom, and Failbetter games.
Wrote the end of everything, a full length play, staged reading Alliance of Los Angeles Playwrights.
Book reviews of Brian Neve's Elia Kazan and Cinephilia in the Age of Digital Reproduction: Film, Pleasure, and Digital Culture, vol. 1 in Scope, a peer-reviewed online journal of the Institute of Film & Television Studies at the University of Nottingham.
Directed Pedestrian, a new play by Rita O'Farrell, as part of the Hollywood and Minneapolis Fringe Festivals during summer 2011.
Directed a fully staged reading of Roger Mason's Onion Creek at the Ensemble Studio Theatre-Los Angeles as part of their annual Winterfest 2010. Directed the revised play for Sunday Best series in spring 2011.
Wrote, co-directed and produced four webisodes for HBO's True Blood web site www.vamps-kill.com. (2011)
I began a blog about politics and culture in 2009, Lifting As We Climb (http://liftingasweclimb.wordpress.com). In 2011, cultureweekly.com and epochlips.com began syndicating its content.
Directed Maria Irene Forne's Conduct of Life at the William Alderson Theatre in Los Angeles. Summer 2009. Included Chapman University acting student and design major.