Dr. Er-Gene Kahng

Dr. Er-Gene Kahng

Henri Temianka Endowed Professor in Music
Conservatory of Music, College of Performing Arts
Education:
University of California, Los Angeles, Bachelor of Arts
Yale University, Master of Music
Northwestern University, Doctor of Music

Biography

Dr. Er-Gene Kahng is a dedicated performer and educator who joins Chapman University as Professor of Violin and the Henri Temianka Endowed Professor in Music.  Known for her expressive artistry and engaging performances, Er-Gene has captivated audiences internationally through solo recitals, chamber music collaborations and orchestral performances. Previously serving as Full Professor and co-Associate Chair of the Music Department at the University of Arkansas in Fayetteville, Er-Gene also brings extensive experience in higher education leadership and innovative music curriculum design and development.  Her passion for teaching and mentorship is reflected in her active role in adjudication, presenting masterclasses, workshops, lectures, and clinics at regional and national events.  As an advocate for contemporary, diverse, and historically significant repertoire, Er-Gene's recordings include the world premiere recording of Florence Price's violin concertos, critically acclaimed albums with pierrot ensemble, Khemia Ensemble, and serving as concertmaster in Fort Smith Symphony Orchestra's recordings of Florence Price and Louis Ballard orchestral works, as well as the complete violin sonatas of George Frideric Handel.  Her performances have been praised for rich tonal beauty and compelling musical insight.  Er-Gene is a former Wolfson Visiting Fellow at the University of Cambridge, in Cambridge, UK, and has received degrees from Northwestern (D.M.), Yale (M.M. and A.D.) and UCLA (B.A.), studying with Almita and Roland Vamos, Erick Friedman, Syoko Aki, the Tokyo String Quartet, and Mark Kaplan.  Thrilled to join the vibrant artistic community at Chapman, Er-Gene looks forward to contributing to the tradition of excellence and inquiry by exploring ways classical music can intersect with, and highlight, forgotten narratives of the past and thus shape the musical values of the present and future.