»The Team
Founding Director Federico Pacchioni
A native of Emilia-Romagna, Italy, Federico Pacchioni graduated from the "Istituto
Magistrale Immacolata" in Cesena in 1998 and completed his undergraduate studies at
La Sapienza in Rome and Prescott College, Arizona, pursuing a unique academic path
focused on the development of a humanistic, cross-cultural, and experiential pedagogy.
Dr. Pacchioni’s early interests in education went hand-in-hand with his studies in
literature and film, eventually leading to his Ph.D. in Italian Studies from Indiana
University Bloomington in 2010. After holding posts at the University of Connecticut-Storrs
and the Italian Immersion School of Middlebury College in Vermont, he won, in 2012,
the Sebastian Paul and Marybelle Musco Endowed Chair in Italian Studies at Chapman
University in Orange, California.
At Chapman University, he teaches interdisciplinary courses in Italian Studies, the Dodge College of Film and Media Arts, and the University Honors Program, including several travel courses across the Italian peninsula. From 2012 to 2023, he directed the Italian Studies program, expanding curricular offerings and programming and facilitating the establishment of new endowments dedicated to the study of Italian language and culture. These developments led to the Ferrucci Institute for Italian Experience and Research, of which he became the Founding Director in 2023, the same year he was made Full Professor.
He is the author of 60+ publications, including scores of peer-reviewed articles and eight books. Reviewers have praised his scholarship for its originality of approach and capacity to unveil new cultural and artistic patterns and connections. Among his scholarly volumes, Inspiring Fellini: Literary Collaborations behind the Scenes (University of Toronto Press, 2014) provided the first systematic analysis of Fellini’s cinema as the product of a participatory creative process examining the director’s relationships with influential writers like Tullio Pinelli, Ennio Flaiano, Pier Paolo Pasolini, Tonino Guerra, and Dino Buzzati. With The Image of the Puppet in Italian Theater, Literature and Film (Palgrave Macmillan, 2022), he revealed the deeper cultural associations and transmedia aesthetic potentials of Italy’s puppetry traditions intersecting a variety of artistic fields and new archival findings. He is also the co-author of the mainstay textbook of Italian film studies in the Anglo-American world, A History of Italian Cinema (2nd edition), first conceived by his mentor, the late Peter Bondanella.
Dr. Pacchioni’s scholarly work is rooted in the creative process itself, especially poetic practice, and his creative writings have been published by journals and presses in Italy and North America. Among these are the poetry collections La paura dell’amore (Raffaelli Editore, 2014) and I frutti del mio giardino(Manni Editore, 2022), and a work of lyrical travel prose Southwest of Italy: Stanzas for a Travel Memoir (Guernica World Editions, 2022).
He has lectured nationally and internationally to specialized and general audiences about Italy’s artistic traditions, focusing on their contemporary and global significance. As director of the Ferrucci Institute, Dr. Pacchioni assists faculty and students in interfacing with Italy’s intellectual and creative reservoir and oversees university-wide interdisciplinary collaborations, event series, and community outreach.
Bernardino Telesio Professorship Corrado Confalonieri
Corrado Confalonieri is the first holder of the Bernardino Telesio Endowed Professorship
in Italian Studies at Chapman University. He holds two doctoral degrees, a PhD in
Romance Languages and Literatures (Harvard University, 2019) and a dottorato in Italian Literature and History of Italian Language (University of Padua, 2014).
He taught and did research both in Italy and in the United States, working as a Visiting
Assistant Professor of Italian at Wesleyan University (2019-2020), as the Lauro de
Bosis Fellow in Italian Studies at Harvard University (2020-2021), and as an Assistant
Professor at the University of Parma (2021-2024).
His publications include three monographs (most recentlyTorquato Tasso e il desiderio di unità. La "Gerusalemme liberata" e una nuova teoria dell'epica, Rome, Carocci, 2022, and "Queste spaziose loggie". Architettura e poetica nella tragedia italiana del Cinquecento, Naples, Loffredo, 2022) and more than thirty articles on topics spanning from the Renaissance to 20th century Italian literature. He has edited an anthology of Boiardo’s works (Boiardo, Unicopli, 2018, with J. A. Cavallo), a multidisciplinary book on teaching (Il mestiere d'insegnante, Unicopli, 2013, with A. Musetti), and, together with Nicola Catelli, he is the Co-Editor-in-chief of «Parole rubate. Rivista internazionale di studi sulla citazione/Purloined Letters. An international journal of quotation studies».
He collaborated with Jeffrey Schnapp for FuturPiaggio: Six Italian Lessons on Mobility and Modern Life and translated the book into Italian (2017). His translations also include the Italian edition of The World Beyond Europe in the Romance Epics of Boiardo and Ariosto by J.A. Cavallo (2017).
Institute Internal Fellows

Emily Carman

William Cumiford

Nick Gabriel
Nick Gabriel is an Italian American theatre artist and Director of the Theatre Performance program at Chapman. With support from the Ferrucci Institute for Italian Experience and Research, his creative and scholarly activities have been presented at conferences organized by the California Consortium of Italian Studies (CICIS), the Modern Language Association (MLA), and the American Association of Teachers of Italian (AATI) in Sicily. In 2024, he wrote an English language adaptation of Luigi Pirandello’s SIX CHARACTERS IN SEARCH OF AN AUTHOR, developed in collaboration with students at Civica Scuola di Teatro Paolo Grassi in Milan, where he serves on the associate faculty. Gabriel’s adaptation was subsequently published by the Pirandello Society of America (PSA) and has recently been performed at Istituto Italiano di Cultura di Los Angeles, the Italian Cultural Center of San Diego, and Casa Italiana in New York [2025]. He is currently writing an anthology of original Commedia dell’arte scenari. Gabriel's experimental, ethnographical documentary, which is in continuous development, employs a memory loss intervention technique known as "reminiscence therapy" as a means of preserving his own identity, which would otherwise be erased following the onset of Alzheimer's Disease.

Christine Fugate

Cristina M. Giannantonio
Cristina M. Giannantonio is a Professor of Human Resource Management in the Argyros College of Business and Economics and the Vice Provost for Faculty Advancement and Institutional Effectiveness at Chapman University. She is a Faculty Research Associate in the Thompson Policy Institute on Disability and Autism in the Attallah College of Educational Studies. Her research interests include Neurodiversity in the Workplace, Recruitment Effects, Extreme Leadership, and Image Norms. She is the co-author of Autism in the Workplace: Creating Positive Outcomes for Generation A. She is the co-editor of Extreme Leadership: Leaders, Teams, and Situations Outside the Norm; Generation A: Research on Autism in the Workplace; Generation A: International and Special Populations Autism in the Workplace; and Neurodiversity and Entrepreneurship. Prof. Giannantonio teaches courses in Principles of Management, Organizational Behavior, and 'Expeditions: Leadership Lessons from Shackleton and the Polar Explorers,' which integrates historical case studies with contemporary leadership theory. Her upcoming research agenda focuses on two primary areas: first, an investigation of neurodiversity in the workplace across Italy and the broader Mediterranean region, with an emphasis on inclusive organizational practices and cross-cultural management frameworks; and second, a study of extreme leadership models within the Italian-American diasporic context, drawing on theories of identity, resilience, and culturally embedded leadership. Through this work, she aims to contribute to the literature on inclusion, leadership under adversity, and transnational organizational behavior. Born in Washington, D.C., to an Italian father and an Italian American mother, Dr. Giannantonio is a native of Maryland. Her Italian heritage, rooted in the Molise region from which her grandparents emigrated in the 1920s and 1950s, remains a meaningful part of her identity. She earned her B.S., MBA, and Ph.D. from the Robert H. Smith School of Business at the University of Maryland, College Park.

Lia Halloran

Micol Hebron

John Hoffmann

Shira Klein

Andrea Molle

Marco Panza

Thomas Piechota

Anuradha Prakash

Daniele C. Struppa

Louise Thomas
Louise Thomas joined Chapman University as Director of Keyboard Collaborative Arts and presently serves as Associate Vice President for Undergraduate Education and Student Success. Born in Ireland, she pursued music studies at Trinity College Dublin and the Hochschule für Musik und Theater in Hannover, Germany, where her training integrated rigorous performance practice with scholarly inquiry. An internationally active pianist, Dr. Thomas has performed across Europe, North America, and Asia at major concert venues, garnering critical recognition as a prize-winner at the Annual International Music Competition and Festival in Ibla-Ragusa, Sicily, and the International Piano Competition, Città di Senigallia. Her faculty appointments include distinguished summer programs such as La Fabbrica in Tuscany, where she has contributed to the cultivation of emerging artists within cross-cultural and interdisciplinary frameworks. Her research engages with the performance of art song as a site of intertextual dialogue, with recent work examining the processes and aesthetics involved in the musicalization of Italian poetry. This inquiry reflects a broader commitment to integrating literary analysis, linguistic nuance, and performance-based methodologies. In addition to her scholarly activities, Dr. Thomas maintains an active collaborative piano career, most notably with violinist Elizabeth Pitcairn, who performs on the legendary “Red Mendelssohn” Stradivarius, and she appears frequently in chamber music and contemporary music programs across the United States and internationally.

Justin Walsh
Honorary Fellows

Jack Horner
