Dr. Jocelyn L. Buckner

Associate Professor; Program Director, BA Theatre Studies; University Honors Program

Theatre, College of Performing Arts

Expertise: Theatre Studies; Dramaturgy; Theatre History

Office Location: Moulton Hall 136

Phone: (714) 289-2084

Email: jbuckner@chapman.edu

Scholarly Works:: Digital Commons

Education:: Converse College, Bachelor of Arts
Virginia Commonwealth University, Master of Fine Arts
University of Kansas, Ph.D.

Biography

Dr. Buckner is the program director for the BA Theatre Studies degree and teaches coursework in theatre history and historiography, dramaturgy, dramatic theory and criticism, the BA professional development and thesis seminars and the interterm London Theatre Tour. Beyond the Department of Theatre, she is also a faculty member of the University Honors Program. As a mentor, she guides the application and integration of students’ research and creative work on productions, internships, thesis projects, and capstone projects. Additionally, she has mentored students’ independent research/creative projects funded by Undergraduate Student Scholarly/Creative Grants and Summer Undergraduate Research Fellowships administered by the Chapman University Center for Undergraduate Excellence. She has been recognized for her work in and out of the classroom with Chapman University’s Faculty Excellence Award in Mentorship of Undergraduate Research and Creative Activity, Chapman University’s Valerie Scudder Award for Outstanding Teaching, Research/Creative Activity, and Service, Chapman University’s Faculty Excellence and Achievement in Teaching Award, and the Sigma Alpha Pi (The National Society of Leadership and Success) Excellence in Teaching Award.

Dr. Buckner’s research focuses on the intersections and representations of identity such as race, class, gender, and sexuality in contemporary plays and U.S. popular entertainment from the nineteenth to twenty-first centuries. She is a leading scholar on the plays of Lynn Nottage and the editor of A Critical Companion to Lynn Nottage (Routledge), the first scholarly collection dedicated to the two-time Pulitzer Prize winning playwright’s work. This anthology examines Nottage’s dramatic treatment of themes such as history, the African diaspora, and identity, and includes interviews with the playwright and her frequent collaborators. Dr. Buckner has published book chapters as well as peer-reviewed articles, editorials, book reviews, and performance reviews in African American Review, American Studies Journal, Ecumenica Journal, Journal of American Drama and Theatre, HowlRound, Journal of Dramatic Theory and Criticism, Popular Entertainment Studies, Theatre History Studies, Theatre Journal, Theatre Survey, and Theatre Topics. Dr. Buckner currently serves as editor of the journal Theatre History Studies and has served as the book review editor and managing editor for the Journal of Dramatic Theory and Criticism and as guest editor for the Spring 2020 special issue of the Journal of American Drama and Theatre, “Local Acts: Performing Communities, Performing Americas.”

Dr. Buckner is an active leader and member in several professional organizations and regularly presents her research at national and international conferences. She is a current board member and immediate past president of the American Theatre and Drama Society and previously served as ATDS conference planner. She has also served as the vice president of awards on the governing council of the Association for Theatre in Higher Education, and as a member of the American Society for Theatre Research Gerald Kahan Essay Award Committee as well as the Nominating Committee. She was co-chair of the Mid America Theatre Conference Articles-in-Progress Sessions and Book-Proposal Workshops.

Dr. Buckner is a professional dramaturg and has collaborated with theatres including Donmar Warehouse in London, Pitt Repertory Theatre, Native Voices at the Autry, and Center Stage Theatre’s New Play Festival. She has served as a script respondent for the literary department of South Coast Repertory Theatre, and an audience engagement facilitator for Center Theatre Group. She is a resident artist of The Chance Theater, where she serves as dramaturg for the On The Radar: New Works Series and mainstage productions. Dr. Buckner holds a PhD in Theatre Studies from the University of Kansas, an MFA in Theatre Pedagogy from Virginia Commonwealth University, and a BA in Theatre and Economics from Converse College. Prior to joining Chapman’s Department of Theatre in 2012, Dr. Buckner held a Postdoctoral Fellowship in the Department of Theatre Arts at the University of Pittsburgh.

Recent Creative, Scholarly Work and Publications: Editor, Theatre History Studies, vol. 43-46, 2022-2027; Dramaturg, Gloria, Director: Marya Mazor, Chance Theater, Anaheim, CA, 2024; Dramaturg, Tiny Beautiful Things, Director: Katie Chidester, Chance Theater, Anaheim, CA, 2024; Resident Dramaturg Supervisor: Alma, Dramaturg: Karli Lonnquist, Director: Sara Guerrero, Chance Theater, Anaheim, CA, 2024; Editor, Theatre History Studies, vol. 43-46, 2022-2027; “Sweat Equity: Lynn Nottage’s Dramaturgy of Deindustrialization,” Contemporary Black Theatre and Performance: Acts of Rebellion, Activism, and Solidarity, edited by DeRon S. Williams, Khalid Y. Long and Martine Kei Green-Rogers, Bloomsbury Press, 2023, pp. 11-24.; “Interview,” Arts Engines with Aaron Dworkin, 30 December, 2023.; "Sandwiches and Second Chances in CLYDE'S," Programme Article, Clyde's, Director: Lynnette Linton, Donmar Warehouse, London, 2023; Associate Editor, Theatre History Studies, vol. 41-42, 2020-2022; Dramaturg, Chance Theater Cyber Chat Series, 2020-21 Lynn Nottage, Sweat, February 2021 John Leguizamo, Latin History for Morons, September 2020 Steven Levenson, If I Forget, September 2020 Craig Lucas, An American in Paris, August 2020 Antoinette Nwandu, Pass Over, July 2020 Dominique Morriseau, Pipeline, May 2020; Guest Editor, “Local Acts: Performing Communities, Performing Americas,” Journal of American Drama and Theatre, vol 32, no. 2, Spring 2020.; Dramaturg, Chance Theater CyberChat Series, 2020; Craig Lucas, An American in Paris, August; Antoinette Nwandu, Pass Over, July; Dominique Morriseau, Pipeline, May;; Dramaturg, On the Radar: New Works Series, Chance Theater, Anaheim, CA 2020 “100 Heartbreaks,” Joanna Garner (2018 resident playwright) “Shooter,” Krista Knight (2020 resident playwright) “A New Play,” Krista Knight “Commissioned New Play,” Adam Szymkowicz (2015 resident playwright); "Introduction," special issue, "Local Acts: Performing Communities, Performing Americas," Journal of American Drama and Theatre, special issue vol 32. no. 2, Spring 2020.; “‘The History of America is the History of Private Property’: The Politics of Home in Clybourne Park and Beneatha’s Place.” Performing Dream Homes: Theater and the Spatial Politics of the Domestic Sphere, edited by Emily Klein, Jen-Scott Mobley, and Jill Stevenson, Palgrave Macmillan, 2019, pp. 21-44.; "Labor Negotiations: The Power of Community Forged Through SWEAT," Programme Article, Sweat, Director: Lynnette Linton, Donmar Warehouse, London, 2018, West End transfer to The Guilgud Theatre, 2019; Dramaturg, 25th Annual Native Voices New Play Festival, “Quantum,” Tara Moses, Native Voices at the Autry, Los Angeles, CA, and at La Jolla Playhouse, San Diego, CA, 2019; Dramaturg, On the Radar: New Works Series, Chance Theater, Anaheim, CA 2019 “End of Shift,” Jenny Connell Davis, October 2019 “Mother of Exiles” Jessica Huang (2019 resident playwright), July 2019 “Creep,” John Glore, May 2019 “Transmissions in Advance of the Second Great Dying,” Jessica Huang, March 2019; Audience Engagement Facilitator, Happy Days, Director: James Bundy, Center Theatre Group, Los Angeles, CA, 2019; Dramaturg, Skylight, Director: Oanh Nguyen, Chance Theater, Anaheim, CA, 2019; Engagement Facilitator for Community Conversations Series and post-performance talkbacks,Sweat, Director: Lisa Peterson, Center Theatre Group, Los Angeles, CA, 2018; Producer, Laramie Project (staged reading in honor of the 20th Anniversary of Matthew Shepard's death), Chapman University, 2018; Chappell, Andrew, Jocelyn L. Buckner, and Maxie Lankalingam (BA Theatre Studies, 2018). “Teaching World-Mindedness in a Mixed Majors and Non-Majors Course: The Work of Rabindranath Tagore Explored by Faculty and an Undergraduate International Student.” Theatre Topics, vol 28, no.1, Spring 2018, pp. 43-52.; Dramaturg, 24th Annual Native Voices New Play Festival, “Soledad,” Carolyn Dunn, Native Voices at the Autry, Los Angeles, CA, and at La Jolla Playhouse, San Diego, CA, June 2018,; Dramaturg, On the Radar: New Works Series, Chance Theater, Anaheim, CA 2018 “The Orange Garden,” Joanna Garner, October 2018 “Gutting,” Joanna Garner, July 2018 (2018 resident playwright) “Hyman and Parfunkel,” Gregg Hammer and Louis Pardo, May 2018 “Bedlam,” Zayd Dohrn, February 2018; Dramaturg, Elevada, Director: Nick Avila, Chance Theater, Anaheim, CA, 2018; “A Collective Call Against Critical Bias,” HowlRound Journal: A Knowledge Commons By and for the Theatre Community. 26 June 2017.; Dramaturg, On The Radar: New Works Series, Chance Theater, Anaheim, CA, 2017, “Times Square Psychic,” Ted Malawer, October 2017, “Anatomy of Love,” Ted Malawer, July 2017, “The Candidate: A Farce,” Jenny Connell Davis, May 2017, “How to Conquer America: A Mostly True History of Yogurt,” David Myers, March 2017; Dramaturg, in a word, Director: Jocelyn A. Brown, Chance Theater, Anaheim, CA, 2017; Dramaturg, Middletown, Director: Trevor Biship, Chance Theater, Anaheim, CA, 2017; Dramaturg, Seminar, Director: Elina de Santos, Chance Theater, Anaheim, CA, 2016; “Diasporic Desires in Las Meninas.” A Critical Companion to Lynn Nottage. Ed. Jocelyn L. Buckner. New York: Routledge, 2016.; “On Creativity and Collaboration: A Conversation with Lynn Nottage, Seret Scott, and Kate Whoriskey.” A Critical Companion to Lynn Nottage. Ed. Jocelyn L. Buckner. New York: Routledge, 2016.; “Introduction.” A Critical Companion to Lynn Nottage. Ed. Jocelyn L. Buckner. New York: Routledge, 2016.; A Critical Companion to Lynn Nottage. New York: Routledge, 2016.; Dramaturg, On The Radar: New Works Series, The Chance Theater, Anaheim, CA, 2016 "Song of Summer," Lauren Yee, October 2016 “Rare Birds,” Adam Szymkowicz, August 2016 “Gaston,” Jenny Connell Davis, July 2016 “Alice & Frank,” Jenny Connell Davis, May 2016 Reading: “L.A. Vida” by David Wendell Nelson, May 2016 Reading: “Scientific Method” by Jenny Connell Davis, March 2016; “Slaughterhouses and Sensorial Affect: Dramatizing Labor, Capitalism, and Industrial Food Production in Bertolt Brecht’s Saint Joan of the Stockyards and Naomi Wallace’s Slaughter City.” Food and Theatre on the World Stage. Ed. Dorothy Chansky and Ann Folino White. New York: Routledge, 2015. 119-135.; Cambridge Encyclopedia of Stage Actors and Acting. Ed. Simon Williams. New York: Cambridge University Press, 2015. Entries on: Henrietta Vinton Davis, Ruby Dee, Free Southern Theater, Charles Sidney Gilpin, Earle Hyman, James Earl Jones, Elizabeth LeCompte, Mako, Negro Ensemble Company, Lane Nishikawa, Soon-Tek Oh, Sidney Poitier, Paul Robeson, Anna Deveare Smith, and Zoe Wanamaker.; Book Review, Spectacles of Reform: Theater and Activism in Nineteenth-Century America by Amy E. Hughes, Journal of Dramatic Theory and Criticism XXIX, no. 1 (Fall 2014): 99-100.; Dramaturg, Maple and Vine, Director: Mark Ramont, Chance Theater, Anaheim, CA, 2014; Performance Review, The Tallest Tree in the Forest (world premiere), La Jolla Playhouse, La Jolla CA. Theatre Journal 66.2 (May 2014): 272-274.; Book Review, Suzan-Lori Parks: Essays on the Plays and Other Works edited by Philip C. Kolin, African American Review 45.4 (Winter 2012, published Winter 2013): 669-671.; “’Spectacular Opacities’: The Hyers Sisters’ Performances of Respectability and Resistance,” African American Review 45.3 (Fall 2012 – published Fall 2013): 309-323.; Book Review, Second Skin: Josephine Baker & the Modern Surface by Anne Anlin Cheng. Theatre Survey 54.2 (May 2013): 317-320.; Book Review, A Dangerous Woman: the Life, Loves, and Scandals of Adah Isaacs Menken, 1835-1868, America’s Original Superstar by Michael and Barbara Foster, Theatre Survey 54.2 (May 2013): 317-320.; Performance Review, The Best Man, Schoenfeld Theatre, New York. Ecumenica Journal 64.3 (Fall 2012): 105-106.; Performance Review, Harriet Jacobs, Kansas City Repertory Theatre. Theatre Journal 63.3 (October 2011): 460-462.; “Diggin’ the Material: Ideological State Apparatuses, ‘Capitalizm’, and Identity in Suzan-Lori Parks’s Red Letter Plays,” Journal of American Drama and Theatre 23.2 (Spring 2011): 31-50.; “The Angel and the Imp: The Duncan Sisters’ Performances of Race and Gender” Popular Entertainment Studies, 2.2 (Sept. 2011): 55-72.

Dr. Jocelyn L. Buckner

Biography

Recent Creative, Scholarly Work and Publications

Faculty Directories by School or College