Dr. Emily Carman
- Office Location:
- Marion Knott Studios 349
- (714) 628-7232
- University of Florida, Bachelor of Arts in English
University of California, Los Angeles, Master of Arts in Critical Studies
University of California, Los Angeles, Ph.D. in Cinema
Industry Affiliations: UCLA Film and Television Archive; Warner Bros. Archive USC and USC Cinematic Arts Library; Society of Cinema and Media Studies; Association of Moving Image Archivists; the Academy Film Archive
Emily Carman earned her PhD from the Cinema and Media Studies program at UCLA's Department of Film, Television, and Digital Media, where she channeled her passion for film history, especially classic Hollywood cinema in the 1930s, into various scholarly and professional pursuits in film. While her primary research expertise focus on film historiography, stardom, the Hollywood studio system and media industries, other scholarly interests include postwar European cinemas and moving image archive theory and practice. Carman's most recent book on the University of Texas Press 2016, Independent Stardom: Freelance Women in the Hollywood Studio System, uncovers how female stars including Constance Bennett, Irene Dunne, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure by freelancing and working independently in Hollywood. Through extensive, original archival research, her book rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Her second book, the edited anthology Hollywood and the Law on BFI/Palgrave-MacMillan, brings together leading scholars in the film and media as well as legal studies to examine how legal infrastructures influence and regulate the content, distribution, and consumption of Hollywood film and media. Her chapter in the book, “Doing the Deal: Talent Contracts in Hollywood,” traces the evolution of above-the-line talent contracts and analyzes the “De Havilland Law” verdict delivered by the California Supreme Court in 1944 that legally recognized movie talent’s right to be a free agent, and considers the current application of this legal decision in present day Hollywood. Additionally, she has published articles in Quarterly Review of Film and Video, Celebrity Studies,The Moving Image, and Cinephile.
In addition to her scholarly pursuits, she has worked for various motion picture archives and cultural institutions, including the Warner Bros. Archives of the School of Cinematic Arts at the University of Southern California, where she was the curator responsible for the preservation of the collection and its public access for research, the Academy Film Archive, L'Immagine Ritrovata at the Cineteca di Bologna, and the UCLA Film and Television Archive.
Prior to arriving at Chapman University, Carman taught film studies at several Southern California institutions, including UCLA, UCSB, Otis College of Art and Design, and Santa Barbara City College.
- Recent Creative, Scholarly Work and Publications
Independent Stardom: Freelance Women in the Hollywood Studio System, forthcoming on University of Texas Press on editor Professor Thomas Schatz's " Texas Film and Media" series, in January 2016
Hollywood and the Law, BFI/Palgrave Press, co-editor and contributor, forthcoming November 2015.
"Stardom and Film Historiography: Onscreen Legend and Off-screen Practice in Robert Aldrich’s The Big Knife (1955),” under review for Cinephile 11.2 special edition on stardom.
“In Focus: The State of Academic Publishing,” co-edited with Ross Melnick, Associate Professor of Film and Media Studies, UCSB, Cinema Journal 55.4 (August 2016), forthcoming.
"Doing the Deal." Co-author Philip Drake, in Hollywood and the Law, BFI/Palgrave Press, forthcoming November 2015
"Mapping the Body: Female Film Stars and the Reconstruction of National Identity in Postwar Italy," Quarterly Review of Film and Video, , 31.4 (2014): 322-335.
"Hollywood is a Woman’s Town: Freelance Stardom and Aging in the Studio System" in Celebrity Studies, 3.1 (March 2012): 13-24; reprinted in Female Celebrity and Ageging: Back in the Spotlight (London: Routledge, 2014);
"That’s Not All, Folks!: Excavating the Warner Bros. Archive." The Moving Image , 14.1 (Spring 2014): 30-48.
"Independent Stardom: Female Film Stars and the Studio System in the 1930s." Women’s Studies: An Interdisciplinary Journal (Fall 2008): 583-615