Amy Graziano, Ph.D., Chair
Professors: Hall;
Associate Professors: Atherton, Cogan, Coker, Dehning, Frelly, Graziano, Heim, Naidoo, Thomas;
Assistant Professors: Becker, Fong, Holmes, Ivanova, Sternfeld, Terry, Vazquez-Ramos, Wachs.
Bachelor of Arts in Music
Bachelor of Music in Composition
Bachelor of Music in Performance
Bachelor of Music (Pre-Certification, Music Education)
Admittance to the Conservatory of Music is by audition. Current students who wish to add or change a music major, minor or emphasis within music will require department chair or director approval.
The mission of the Conservatory of Music at Chapman University is to provide an outstanding education for the professional and intellectual development of artists and scholars in a supportive, rigorous liberal arts environment that enriches the human mind and spirit.
The Conservatory of Music offers the bachelor of arts in music and pre–professional programs leading to the bachelor of music in composition, music education, and performance (conducting, instrumental, including piano, and guitar, keyboard collaborative arts and vocal).
Chapman University first offered the bachelor of music degree in 1930–31, and has striven to present thorough music curricula, blended with liberal learning ever since. The university’s music facilities compare with institutions far larger in size and offer a fine setting for both instruction and musical presentations. The Conservatory of Music is an accredited institutional member of the National Association of Schools of Music.
Admission to Degree Programs
Admittance to the Conservatory of Music is by audition. Current students who wish to add or change a music major or emphasis will require department chair or director approval. In addition to the audition, transfer students are required to take placement tests in theory, piano, music history and their principle performance area. Credit for music courses may be transferred from an accredited institution upon demonstration of competence.approval.
Students may declare an intention to major in composition at entrance. Formal admission to the bachelor of music in composition degree program will normally be granted prior to the junior year, after competence levels in theoretical work, compositional skills and demonstrated potential have been evaluated by a jury of composition faculty, to determine the appropriateness of the degree objective. Students accepted into the program must demonstrate an acceptable level of proficiency on a major instrument or in voice, and appropriate keyboard skills. A senior recital must be completed with approval of, and while enrolled for study with, the student’s major professor of composition.approval.
Students may declare an intention to have an emphasis in conducting at entrance. Formal admission to the bachelor of music in performance, conducting emphasis, will normally be granted prior to the junior year, after evaluation of student preparation and demonstrated potential have been evaluated by a jury of faculty, headed by the instrumental or choral conducting professor, to determine the appropriateness of the degree objective. Students admitted into the program must demonstrate an acceptable level of proficiency on a major instrument or in voice, and appropriate keyboard skills. A senior recital must be completed with approval of, and while enrolled for study with, the student’s major professor of conducting.
Applied music lessons in voice, orchestral instruments, guitar, piano, and organ are available to any student regardless of major (non-majors are placed subject to available space). Performance organizations and classes are open to all students with consent of the instructor, an audition may be required. All individual lessons must be taken with applied music faculty of the Chapman Conservatory of Music and must be taken for credit (no audit allowed). Students enrolled in applied private instruction should not be studying the same performance area concurrently with another teacher.
All students enrolled in applied music lessons are encouraged to enroll concurrently in the appropriate section of MUS 116/316 Studio Class, ½ credit. Students pursuing degrees in performance (all emphasis) and/or music education are required to do so.
Students taking applied music lessons are required to take jury examinations at the end of each semester, regardless of their major. The Upper–Division Proficiency (UDP) will be administered to all professional degree candidates in the bachelor of music in performance and music education at the end of the sophomore year. The results of the UDP determine whether or not the candidate will be admitted to the 300 level of private applied study and approved to continue in their major field. A list of requirements for the UDP can be obtained from the directors of each performance area (conducting, instrumental, piano, guitar, keyboard collaborative arts or vocal) and music education (instrumental or vocal).
All music majors must pass a piano proficiency examination prior to the end of the junior year. Music majors will not be allowed to present a Senior Recital until this requirement is met. All or part of the four–credit piano requirement may be waived depending on demonstrated piano proficiency.
Student recitals are presented under the auspices of the Conservatory of Music with the permission of the appropriate applied music faculty member and the chair or director. Student recitals are presented only by those currently enrolled for private applied music instruction with appropriate Chapman applied music faculty. Music majors will not be allowed to present a Senior Recital until they have passed the piano proficiency examination.approval.
The following degree candidates are required to participate in at least one large choral or instrumental ensemble each semester while in full-time residence, as assigned by the director of instrumental and/or choral studies: Bachelor of arts in music; Bachelor of music in performance - conducting emphasis, instrumental emphasis (excluding guitar and piano/organ students) and vocal emphasis; Bachelor of music in music education - vocal emphasis and instrumental emphasis. Students may petition to the director of instrumental and/or choral studies for a one-semester waiver of this requirement. Petitions are usually granted during the senior year of study.
General Education Requirements for the Bachelor of Arts in Music
Students seeking the bachelor of arts in music should have a knowledge of German, French, or Italian. Three credits must be selected from one of those languages at or above the 200–level to satisfy the language study component of the Global Citizens Cluster General Education Requirement. Students are recommended to take MUS 332 Musical Cultures of the World, as a part of their Global Citizens Cluster — Global Study requirement.
Music Theory Proficiency Requirement
Students wishing to enroll in MUS 133 Theory I and/or MUS 135 Aural Skills I will be tested on their basic knowledge of music theory at the first meeting of MUS 133 Theory I. Those students not passing the diagnostic exam will be required to take remedial studies (MUS 098 Rudiments of Music) and will not be admitted to MUS 133 Theory I and/or MUS 135 Aural Skills I until sufficient basic knowledge or proficiency can be shown.
Minimum Grade Requirements
A minimum grade of "C" is required for all theoretical and historical courses listed for the bachelor of arts in music. All courses in the major must be taken for a letter grade.
A minimum transfer grade of "C" is required for all transfer credits.
requirements (51 credits)
A minimum of 5 credits taken from piano, large ensemble or individual instruction courses must be upper division credits (at the 300-400 level).
Compendium of Western Music History |
3 |
|
Piano |
(individual or class instruction) |
4 |
Theory I |
2 |
|
Theory II |
2 |
|
Aural Skills I |
1 |
|
Aural Skills II |
1 |
|
Theory III |
2 |
|
Theory IV |
2 |
|
Aural Skills III |
1 |
|
Aural Skills IV |
1 |
|
Music History and Literature I |
3 |
|
Music History and Literature II |
3 |
|
Music History and Literature III |
3 |
|
Music History and Literature IV |
3 |
|
Form and Harmonic Analysis |
2 |
|
Seminar |
2 |
|
Large ensemble |
8 |
|
Individual instruction (instrument or voice) |
8 |
|
total credits |
|
51 |
General Education Requirements for all Bachelor of Music Degrees
Undergraduate Degree Requirements found in the catalog are applicable, unchanged, to all bachelor of music degrees.
Exploration Clusters
The language study requirement is restricted to French, German or Italian. For guitar performance students, Spanish is acceptable. Students with voice and keyboard collaborative arts emphases should have proficiency in French, German, or Italian, and a knowledge of pronunciation of all three.
For the vocal emphasis in the bachelor of music in performance, three credits must be selected from one or a combination of those languages, in addition to the language study component of the Chapman General Education requirements. This requirement cannot be waived.
For the keyboard collaborative arts emphasis in performance, three credits must be selected from those languages, in addition to the language study component of the Chapman General Education requirements. This requirement cannot be waived.
Minimum Grade Requirements
A minimum grade of "C" is required for all theoretical and historical courses listed under the "Basic Core Requirements" for all bachelor of music degree programs (except composition). For the bachelor of music in composition, a minimum grade requirement of "B" is required for all theoretical and historical courses listed under the "Basic Core Requirements" for the bachelor of music degree and all courses listed under the specified "Bachelor of Music in Composition" course requirements. All courses in the major must be taken for a letter grade.
A minimum transfer grade of "C" is required for all transfer credits (except for the students majoring in composition). For composition majors the minimum transfer grade of "B" is required for all transfer credits.
Music Theory Proficiency Requirement
Students wishing to enroll in MUS 133 Theory I and/or MUS 135 Aural Skills I will be tested on their basic knowledge of music theory at the first meeting of MUS 133 Theory I. Those students not passing the diagnostic exam will be required to take remedial studies (MUS 098 Rudiments of Music) and will not be admitted to MUS 133 Theory I and/or MUS 135 Aural Skills I until sufficient basic knowledge or proficiency can be shown.
Basic Core Requirements for all Bachelor of Music Degrees (33–37 credits)
Compendium of Western Music History |
3 |
|
Piano |
Individual or class instruction (not required of students whose instrument is piano or organ, or those who have declared a performance major — keyboard collaborative arts emphasis) |
4 |
Theory I |
2 |
|
Theory II |
2 |
|
Aural Skills I |
1 |
|
Aural Skills II |
1 |
|
Theory III |
2 |
|
Theory IV |
2 |
|
Aural Skills III |
1 |
|
Aural Skills IV |
1 |
|
Principles of Music Technology |
2 |
|
Form and Harmonic Analysis |
2 |
|
Musical Cultures of the World |
3 |
|
Instrumentation and Beginning Orchestration (not required for performance majors with vocal emphasis) |
2 |
three of the following music history courses (9 credits)
Music History and Literature I |
3 |
|
Music History and Literature II |
3 |
|
Music History and Literature III |
3 |
|
Music History and Literature IV |
3 |
total credits |
|
37 |
total credits (for students whose instrument is piano or organ, or those who have declared a performance major — keyboard collaborative arts emphasis) |
33 |
|
total credits (for performance majors with vocal emphasis) |
35 |
|
Minimum Grade Requirement
For the bachelor of music in composition, a minimum grade requirement of "B" is required for all theoretical and historical courses listed under the "Basic Core Requirements" for the bachelor of music degree and all courses listed under the specified "Bachelor of Music in Composition" course requirements.
requirements (76 credits)
basic core requirements |
37 |
|
Piano |
2 |
|
Music Composition |
8 |
|
Music History and Literature I – IV |
3 |
|
Small Ensemble – New Music (over four semesters) |
2 |
|
Advanced Counterpoint |
2 |
|
Advanced Orchestration |
2 |
|
Choral Conducting I or |
|
|
Instrumental Conducting I |
2 |
|
Private Instruction – Composition (1 credit per semester) |
4 |
|
Senior Recital – Full Solo Program |
0 |
|
individual instruction (major instrument or voice) |
8 |
large ensemble (over four semesters) |
4 |
small ensemble (over four semesters) |
2 |
total credits |
|
76 |
Conducting Emphasis
requirements (77 credits)
basic core requirements |
37 |
|
Piano (including score reading) |
4 |
|
String Class |
1 |
|
Woodwind Class |
1 |
|
Brass Class |
1 |
|
Percussion Class |
1 |
|
Improvisation: Techniques and Experiments |
1 |
|
Music History and Literature I – IV |
3 |
|
Choral Conducting I, II |
4 |
|
Instrumental Conducting I, II |
4 |
|
Private Instruction |
4 |
|
Senior Recital – Full Solo Program |
0 |
|
Individual instruction (instrument or voice) |
8 |
|
Large ensemble |
8 |
|
total credits |
|
77 |
Instrumental Emphasis (68-74 credits)
Instrumental Emphasis - Orchestral Instruments area (strings, percussion, brass and woodwinds)
requirements (74 credits)
basic core requirements |
37 |
|
Studio Class |
4 |
|
Orchestral Instruments |
16 |
|
Improvisation: Techniques and Experiments |
1 |
|
Small Ensemble |
2 |
|
Instrumental Conducting I or |
|
|
Principles of Conducting |
2 |
|
Orchestral Literature |
2 |
|
Senior Recital – Full Solo Program |
0 |
|
|
Large ensemble |
8 |
pedagogy course
one of the following (2 credits)
String Pedagogy (for string students) |
2 |
|
Percussion Pedagogy (for percussion students) |
2 |
|
Brass Pedagogy (for brass students) |
2 |
|
Woodwind Pedagogy (for woodwind students) |
2 |
total credits |
|
74 |
Instrumental Emphasis - Guitar area
requirements (72 credits)
basic core requirements |
37 |
|
Guitar - Individual instruction |
16 |
|
Studio Class |
4 |
|
Improvisation: Techniques and Experiments |
1 |
|
Small Ensemble |
4 |
|
Instrumental Conducting I or |
|
|
Principles of Conducting |
2 |
|
Guitar Literature |
2 |
|
Guitar Pedagogy |
2 |
|
Senior Recital – Full Solo Program |
0 |
|
|
Large ensemble |
4 |
total credits |
|
72 |
Instrumental Emphasis - Piano/Organ area
requirements (68 credits)
basic core requirements |
33 |
|
Piano - Individual instruction |
16 |
|
Accompanying Class |
1 |
|
Studio Class |
4 |
|
Improvisation: Techniques and Experiments |
1 |
|
Small Ensemble - student choice |
1 |
|
Small Ensemble - assigned by director |
2 |
|
Instrumental Conducting I or |
|
|
Principles of Conducting |
2 |
|
Piano Pedagogy |
2 |
|
Piano Literature |
2 |
|
Senior Recital – Full Solo Program |
0 |
|
|
Large ensemble |
4 |
total credits |
|
68 |
Keyboard Collaborative Arts Emphasis (76 credits)
additional foreign language requirement (3 credits)
3 credits in addition to the language study – General Education requirement |
3 |
music requirements (73 credits)
basic core requirements |
33 |
|
Accompanying Class |
1 |
|
Studio Class |
4 |
|
Individual instrumental instruction |
16 |
|
Diction for Singers I |
1 |
|
Diction for Singers II |
1 |
|
Improvisation: Techniques and Experiments |
1 |
|
Small Ensemble |
3 |
|
|
Student Choice - 1 |
|
|
As assigned by area director - 2 |
|
Senior Recital – Half Solo Program (solo piano) |
0 |
|
Collaborative Piano |
1 |
|
Instrumental Conducting I or |
|
|
Principals of Conducting |
2 |
|
Song Literature |
2 |
|
Piano Pedagogy |
2 |
|
Piano Literature |
2 |
|
Senior Recital – Full Collaborative Program |
0 |
|
large ensemble |
4 |
|
total credits |
|
76 |
Vocal Emphasis (77 credits)
additional foreign language (3 credits)
3 credits in addition to the language study – General Education requirement |
3 |
music requirements (74 credits)
basic core requirements |
35 |
|
Individual Instruction in Voice |
16 |
|
Studio Class |
4 |
|
Introduction to Acting and Movement for Singers |
2 |
|
Diction for Singers I |
1 |
|
Diction for Singers II |
1 |
|
Improvisation: Techniques and Experiments |
1 |
|
Choral Conducting I or |
|
|
Principals of Conducting |
2 |
|
Song Literature |
2 |
|
Vocal Pedagogy |
2 |
|
Senior Recital – Full Solo Program |
0 |
|
large ensemble |
8 |
|
total credits |
|
77 |
Instrumental Emphasis Requirements (78 credits)
basic core requirements |
37 |
|
individual instruction, instrumental |
8 |
|
Private or class lessons on guitar |
1 |
|
Voice or |
|
|
Voice Class (Music Education Majors) |
1 |
|
Studio Class |
1 |
|
String Class |
1 |
|
Woodwind Class |
1 |
|
Brass Class |
1 |
|
Percussion Class |
1 |
|
Introduction to Music Education/Lab |
3 |
|
Improvisation: Techniques and Experiments |
1 |
|
Small Ensemble (1 semester of a Jazz Ensemble) |
1 |
|
Senior Recital – Half Solo Program |
0 |
|
Choral Conducting I |
2 |
|
Instrumental Conducting I |
2 |
|
Instrumental Conducting II or |
|
|
Choral Conducting II (piano students only) |
2 |
|
Practicum in Choral Literature and Pedagogy/Lab |
3 |
|
Practicum in Instrumental Literature and Pedagogy/Lab |
3 |
|
Practicum in Elementary School Literature and Pedagogy/Lab |
3 |
|
large ensemble |
6 |
|
total credits |
|
78 |
Vocal Emphasis Requirements (77 credits)
basic core requirements |
37 |
|
Individual Instruction in Voice |
8 |
|
Private or class lessons on guitar |
1 |
|
Studio Class |
1 |
|
String Class |
1 |
|
Woodwind Class |
1 |
|
Brass Class |
1 |
|
Percussion Class |
1 |
|
Introduction to Music Education/Lab |
3 |
|
Improvisation: Techniques and Experiments |
1 |
|
Small Ensemble - Vocal (1 semester of a Jazz Ensemble) |
1 |
|
Senior Recital – Half Solo Program |
0 |
|
Choral Conducting I |
2 |
|
Choral Conducting II |
2 |
|
Instrumental Conducting I |
2 |
|
Practicum in Choral Literature and Pedagogy/Lab |
3 |
|
Practicum in Instrumental Literature and Pedagogy/Lab |
3 |
|
Practicum in Elementary School Literature and Pedagogy/Lab |
3 |
|
large ensemble |
6 |
|
total credits |
|
77 |
The single subject credential allows the holder to teach in a specific subject area. Requirements for the California provisional single subject teaching credential in music are satisfied by the bachelor of music (pre–certification, music education) degree, plus professional education courses and requirements specified below. Upon completion of these requirements, students will be recommended to the California Commission on Teacher Credentialing for the California Single Subject Teaching Credential in Music, which entitles the holder to teach music in grades kindergarten through 12 in California public schools.
Music education students who intend to enroll in the credential program at Chapman are recommended to include in their undergraduate course of study POSC 110 Introduction to American Politics (3 credits). Additionally, the student must achieve an overall GPA of at least 2.750 in the last 60 semester (or 90 quarter) credits of their completed degree program, and must pass the CBEST examination prior to admission to the credential program. The required professional education courses may be completed after the bachelor of music is awarded, or may be included as part of the upper-division undergraduate program.
All professional education course work must be approved by an advisor in the College of Educational Studies. The normal residency for completion of the bachelor of music (pre–certification, music education) degree and required professional education courses is five years.
course requirements (41 credits)
EDUC 401/503 |
Foundations of Education |
3 |
EDUC 404/504 |
Second Language Acquisition for Secondary Students |
3 |
EDUC 404P/504P |
PRAXIS: Second Language Acquisition for Secondary Students |
1 |
EDUC 424/524 |
Secondary Teaching and Learning I |
3 |
EDUC 424P/524P |
PRAXIS: Secondary Teaching and Learning I |
1 |
EDUC 425/525 |
Secondary Teaching and Learning II |
3 |
EDUC 430/530 |
Secondary Subject Matter Methods |
3 |
EDUC 430P/530P |
PRAXIS: Secondary Subject Matter Methods |
1 |
EDUC 432/532 |
Content Area Literacy |
3 |
EDUC 432P/532P |
PRAXIS: Content Area Literacy |
1 |
EDUC 446/546 |
Health and Wellness in Diverse Classrooms |
3 |
EDUC 451/551 |
Educational Applications of Technology |
3 |
EDUC 470/570 |
Foundational Issues of Voice, Diversity, Equity, and Social Justice |
3 |
EDUC 471/571 |
Collaboration for Inclusive Schooling |
3 |
EDUC 483/583 |
Student Teaching Single Subjects |
6 |
|
(taken with EDUC 425/525) |
|
EDUC 550 |
Evaluating Teaching Performance Expectations |
1 |
total credits (excluding prerequisites) |
|
41 |
A minimum of 9 credits must be upper–division. A minimum grade of "C" is required for all courses listed for the minor in music. All courses in the minor must be taken for a letter grade. A minimum transfer grade of "C" is required for all transfer credits in the minor.
requirements (21 credits)
Compendium of Western Music History |
3 |
|
Theory I |
2 |
|
Theory II |
2 |
|
Aural Skills I |
1 |
|
Aural Skills II |
1 |
|
300 level or higher courses listed under theoretical and historical courses |
6 |
|
applied music courses (minimum of 2 credits at 300 level or higher) |
4 |
|
ensemble courses (minimum of 1 credit at 300 level) |
2 |
|
total credits |
|
21 |
Prerequisites, music major, or minor only, and consent of instructor. Rudiments of Music is a preparatory course, covering material that all incoming BM and BA music students are expected to have already mastered. This course will cover pitch and rhythmic notation, scales, key signatures, intervals, triads, basic music reading skills, and aural skills. P/NP. (Offered spring semester.) 3 non-degree credits.
For non–music majors only. A course designed to give the student a grasp of the major styles and trends of Western music, from Gregorian chant to the present. (Offered every semester.) 3 credits.
Prerequisite, MUS 133, or consent of instructor. For music majors only. A course designed to give the music student a grasp of the major styles and trends of Western music, from Gregorian chant to the present. (Offered every semester.) 3 credits.
For non–music majors. A survey of non–western musical traditions with an emphasis on the musical, aesthetic, and anthropological factors that help to define culture: Africa, Asia, The Americas. (Offered every semester.) 3 credits.
(Offered as needed.) 1-3 credits.
Prerequisites, pass freshman diagnostic examination in theory. Music notation, rhythm, scales, key signatures, intervals, triads, seventh chords and figured bass and diatonic harmonic progression. Exercises in species counterpoint. Four-part voice–leading and simple compositional exercises including non–harmonic tones. Diatonic harmonic analysis from 18th and early 19th century literature. Introduction to chromaticism. Secondary functions including four–part voice leading. (Offered fall semester.) 2 credits.
Prerequisite, MUS 133, or pass music theory placement examination. Overview of chromaticism including review of secondary functions: modulation, mode mixture, Neapolitan triad, augmented sixth chords. Introduction to cadences, phrases, periods, simple part-forms, invertible counterpoint, two–part invention, three–part invention. Continuing exercises in harmonic analysis, four–part voice–leading, and composition. (Offered spring semester.) 2 credits.
Prerequisites, pass freshman diagnostic examination. Exercises in singing major and minor scales and diatonic intervals. Exercises in sight singing and prepared singing of diatonic melodies in both major and minor mode. Sight and prepared rhythmic exercises in simple and compound meters. Interval recognition. Triad and seventh chord quality and inversion recognition. Melodic dictation using diatonic melodies in major and minor modes. Diatonic harmonic progression dictation including inversions. (Offered fall semester.) 1 credit.
Prerequisite, MUS 135, or pass aural skills placement examination. Exercises in singing major and minor scales and chromatic intervals. Exercises in sight singing and prepared singing of chromatic melodies in both major and minor mode. Sight and prepared syncopated rhythmic exercises and exercises in changing asymmetrical meters. Melodic dictation using chromatic melodies in major and minor modes. Chromatic harmonic progression dictation including inversions. (Offered spring semester.) 1 credit.
This course will cover the role of music in American, European, and World cinema, changes in film music style from the early silents to the current day, cross–cultural differences in the scoring of films, the compositional process when writing for film, and the process of adding music to film in post-production. (Offered spring semester.) 3 credits.
Prerequisite, consent of instructor. A structured approach to composing music, from small to larger complex forms. May be repeated for credit. (Offered every semester.) 2 credits.
1–3 credits.
Open to non-music majors. This course examines the diverse historical contexts of American popular musics from their nineteenth century origins to their worldwide dominance in our contemporary global cultural economy. In the course, we will build a vocabulary to help us discuss musical sound, we will study the historical development of this body of music, we will examine the business and technology aspects that make this music popular, we will look at this music’s ever more important role in relation to cultural identity around the world, and finally, we will investigate how ideas about America are enacted through popular music. (Offered spring semester.) 3 credits.
An in-depth study of the International Phonetic Alphabet, its pronunciation and application for singers to English and Italian. (Offered fall semester.) 1 credit.
Prerequisite, MUS 223, or consent of instructor. An in-depth study of the International Phonetic Alphabet, its pronunciation and application for singers to French and German. (Offered spring semester.) 1 credit.
May be repeated for credit. (Offered as needed.) 3 credits.
Corequisite, MUS 231L. Introductory course in Music Education intended to provide historical, philosophical, and practical foundations for the teaching of music. This course contains a lab component and fieldwork requirement. (Offered fall semester.) 3 credits.
Corequisite, MUS 231. Lab component of MUS 231. (Offered fall semester.) 0 credits.
Prerequisite, MUS 134, or pass music theory placement examination. Overview of harmonic practice during the late 19th century including 9th, 11th, 13th chords, and altered dominants. Introduction to large forms including sonata form (and its hybrids), rondo form, and variation forms, three–voice fugues, four–voice fugues. (Offered fall semester.) 2 credits.
Prerequisites, MUS 102, and either 233, or pass music theory placement examination. Overview of the materials, techniques and structure of western art music since 1900, including neotonality, atonality, serialism, minimalism, linear counterpoint, and aleatory. (Offered spring semester.) 2 credits.
Prerequisite, MUS 136, or pass aural skills placement examination. Exercises in sight singing and prepared singing of chromatic melodies including highly disjunct melodies and modulating melodies in both major and minor modes. Exercises in sight singing a countermelody. Continued rhythmic exercises using all metrical types and including sight reading counter-rhythms. Melodic dictation using chromatic melodies in major and minor modes including modulating melodies. Chromatic harmonic progression dictation including modulating progressions and notation of soprano and bass lines. (Offered fall semester.) 1 credit.
Prerequisites, MUS 102, and either 235, or pass aural skills placement examination. Exercises in singing seven, six, and five note modes and scales. Exercises in identifying neotonal sonorities. Prepared and sight reading of modal, atonal, and serial melodies. Melodic dictation using modal, atonal, and serial melodies. Rhythmic transcription including polymetric textures. (Offered spring semester.) 1 credit.
Prerequisites, MUS 102, 135, 136, or consent of instructor. The study of western and non-western improvisational technique (including Jazz), theory, application, and aesthetic, with immediate and hands-on application by student-participants. (Offered every semester.) 1 credit.
Prerequisite, pass diagnostic examination in computer literacy and music fundamentals. Students must possess basic skills and knowledge of music notation, fundamentals of music and computer literacy. This course will introduce students to necessary skills for the production of electronic music, computer music notation, the musical instrument digital interface (MIDI), sound recording and editing techniques, and delivery of music and sound on the internet. (Offered every semester.) 2 credits.
Prerequisite, consent of instructor. A structured approach to composing music, from small to larger complex forms. May be repeated for credit. (Offered every semester.) 2 credits.
Prerequisite, consent of instructor. This course provides students with the opportunity to receive credit for internships with off-campus music organizations. P/NP. May be repeated for credit. (Offered every semester.) ½ - 3 credits.
(Offered as needed.) 1–3 credits.
Prerequisites, MUS 102, 133. The period of antiquity, Middle Ages, and Renaissance. (Offered fall semester.) 3 credits.
Prerequisites, MUS 102, 134. Baroque and Classical periods. (Offered spring semester.) 3 credits.
Prerequisites, MUS 102, 233. The Romantic period. (Offered fall semester.) 3 credits.
Prerequisites, MUS 102, 234. The twentieth century. (Offered spring semester.) 3 credits.
Prerequisite, MUS 244, or consent of instructor. This course will introduce students to sound recording techniques in a modern studio environment using audio equipment and media in the digital and analog domains. (Offered spring semester.) 3 credits.
Open to non-music majors. This course is an introduction to musical styles of the Caribbean, South America, and Latin America with emphases on theory, forms, instruments, and sociological implications. The course introduces the student to ethnomusicology – the study of music in a people’s way of life. This treats music as a distillation of cultural styles, approaching diverse musical styles with the desire to understand them on their own terms, as the people who make the music the music would understand them. By region we examine life histories and autobiographies that are essential to understanding the meaning and purpose of musical performances: additional musical, sociological, geopolitical, and cultural-spiritual elements are studied to lead to understanding. (Offered spring semester). 3 credits.
Prerequisites, MUS 134, 136. Contrapuntal techniques as practiced by composers of the sixteenth century. (Offered fall semester.) 2 credits.
Prerequisites, MUS 233, 235. Contrapuntal techniques as practiced by composers of the eighteenth century. (Offered spring semester.) 2 credits.
(Offered as needed.) ½–3 credits.
Prerequisites, MUS 234, 236. Analysis of simple structural elements, binary and ternary forms, and larger forms from the Baroque to the first half of the twentieth century. (Offered every semester.) 2 credits.
Prerequisites, MUS 102, music majors and minors. These courses explore the musical traditions of non-Western cultures. A series of three courses, each an entire semester, offered in rotating semesters. Students may take a single semester or may repeat the course for credit when another topic is offered. (Offered every semester.) 3 credits.
332A Musical Cultures of Africa/Middle East
Prerequisites, MUS 102, music majors and minors. This course will explore the non-Western musical traditions of Africa and the Middle East. (Offered every third semester.) 3 credits.
332B Musical Cultures of Asia/Pacific
Prerequisites, MUS 102, music majors and minors. This course will explore the non-Western musical traditions of Asia, Australia, and the Pacific Islands. (Offered every third semester.) 3 credits.
332C Musical Cultures of the Americas
Prerequisites, MUS 102, music majors and minors. This course will explore the non-Western musical traditions of the Americas. (Offered every third semester.) 3 credits.
Prerequisite, MUS 234. An introductory but in depth study of the various aspects of instrumentation and beginning orchestration for various ensembles. The primary emphasis will be placed on works that exemplify common notion systems and orchestration techniques present in the orchestral and chamber music repertoire. (Offered fall semester.) 2 credits.
Prerequisite, MUS 244, or consent of instructor. Students have the opportunity to further develop the necessary skills for the production of electronic music, the performance of electronic music, working with Musical Instrument Digital Interface (MIDI), computer music notation, and sound recording and editing techniques. This advanced class goes deeper into industry standard recording and composition applications Finale, ProTools, Ableton, Live and Reason. Students get more experience composing, remixing, beat programming, and developing recording engineering skills. (Offered spring semester.) 2 credits.
Prerequisite, consent of instructor. A structured approach to composing music, from small to larger complex forms. May be repeated for credit. (Offered every semester.) 2 credits.
(Offered as needed.) 3 credits.
Prerequisite, MUS 340, or consent of instructor. Study of the principles of linear counterpoint from 1800 to the present. Analytical exercises focusing on the contrapuntal music of Beethoven, Brahms, Schoenberg, Hindemith, Bartok, Ligeti, Takemitsu, and others. Applied exercises in composition. (Offered spring semester.) 2 credits.
(Offered as needed.) 1–3 credits.
Prerequisites, MUS 231, 231L, consent of instructor. The purpose of this course is for students to gain an overview of the historical, cultural, and philosophical foundations that have shaped and directed music education in America and abroad, and, thereby, to provide the tools for formulating a personal philosophy of music education. (Offered fall semester.) 3 credits.
Prerequisites, MUS 231, 231L, consent of instructor. This course explores the development of music teaching and learning within the context of American society with particular emphasis on preparing future music teachers to manage the administrative and interpersonal demands of the profession. (Offered spring semester.) 3 credits.
Prerequisite, MUS 340, or consent of instructor. A critical and in depth study of the various aspects of orchestration and extended instrumental techniques used in music of the 20th and 21st centuries. The primary emphasis will be placed on works that exemplify current notion systems and orchestration techniques present in the orchestral and chamber music repertoire since 1950. (Offered spring semester.) 2 credits.
Prerequisites, MUS 234, 236, consent of instructor. Patterns and techniques used in development and training of choral groups. (Offered fall semester.) 2 credits.
Prerequisites, MUS 450, consent of instructor. Continuation of Choral Conducting I, including choral repertory. (Offered spring semester.) 2 credits.
Prerequisites, MUS 234, 236, consent of instructor. Baton techniques, score reading, interpretation, repertory, laboratory practice. (Offered fall semester.) 2 credits.
Prerequisites, MUS 452, consent of instructor. Continuation of Instrumental Conducting I. (Offered spring semester.) 2 credits.
Prerequisites, MUS 234, 236, or consent of instructor. Basic techniques of baton, score study, analysis, and interpretation appropriate for leading choral and instrumental groups. (Offered fall semester.) 2 credits.
Prerequisite, minimum of two years of college–level vocal study. A survey of selected song literature from Western and Eastern Europe and the Americas. Includes study of selected composers and poets and the practical procedures for building a song recital. (Offered spring semester.) 2 credits.
Prerequisites, MUS 231, 231L, 234, 236, or consent of instructor. Corequisite, MUS 457L. Intensive study of literature appropriate for high school choirs and smaller vocal ensembles. This course contains a lab component and fieldwork requirement. (Offered as needed.) 3 credits.
Prerequisites, MUS 231, 231L, 234, 236, or consent of instructor. Corequisite, MUS 457. Lab component of MUS 457. (Offered as needed.) 0 credits.
Prerequisites, MUS 231, 231L, 234, 236, or consent of instructor. Corequisite, MUS 458L. Intensive study of literature appropriate for junior and senior high school bands and orchestras.This course contains a lab component and fieldwork requirement. (Offered as needed.) 3 credits.
Prerequisites, MUS 231, 231L, 234, 236, or consent of instructor. Corequisite, MUS 458. Lab component of MUS 458. (Offered as needed.) 0 credits.
Prerequisites, MUS 231, 231L, 234, 236, or consent of instructor. Corequisite MUS 459L. Study of literature and materials appropriate for K-8, including the most recent materials used in elementary and junior high classrooms. This course contains a lab component and fieldwork requirement. (Offered as needed.) 3 credits.
Prerequisites, MUS 231, 231L, 234, 236, or consent of instructor. Corequisite, MUS 459. Lab component for MUS 459. (Offered as needed.) 0 credits.
Prerequisite, MUS 102, or consent of instructor. A historical overview of orchestral/symphonic literature from Baroque to 21st Century with emphasis on performance knowledge and preparation. (Offered fall semester.) 2 credits.
(Same as PSY 461.) Prerequisites, PSY 101, and either MUS 101, or 102, or consent of instructor. This interdisciplinary course will explore the human perception and cognitive organization of music. Topics covered will include the neurobiology of music, psychoacoustics/music perception, music cognition, music and emotion, the cognitive development of music in children, the neuropsychology of music and music learning and behavior. (Offered fall semester.) 3 credits.
Prerequisites, minimum of two years of guitar study, consent of instructor. A study of selected literature for the guitar, lute and viheula. Includes early lute and vihuela music of the Renaissance, four- and five-course Baroque guitar, and the six-string classical guitar from the early 19th century to the present. (Offered as needed.) 2 credits.
Prerequisite, minimum of two years instrumental study. Level to be approved by course instructor. Fundamentals of string pedagogy from elementary through conservatory levels — emphasis on technique development, pain free physiology of playing, performance practice, repertoire, and pragmatic application to elementary and advanced educational levels. (Offered spring semester.) 2 credits.
Prerequisite, minimum of two years of percussion study. The three primary objectives for this course are to explore the history, pedagogy, and repertoire of classical and contemporary percussion playing. Considering the many kinds of percussion instruments, as well as the career goals of the enrolled student, one or more secondary emphases will be given to the student on specific solo/ensemble repertoire, the researching and purchasing of professional quality instruments and gear, the research and evaluation of university graduate studies in percussion, opportunities in foreign and domestic research and performance seminars, festivals, scholarships, and grants, and career options in percussion performance. (Offered as needed.) 2 credits.
Prerequisite, minimum of two years of brass study. Performance level to be approved by the instructor. Fundamentals of brass pedagogy from elementary through conservatory levels — emphasis on technique development, physiology, performance practice, repertoire, and pragmatic application to various educational levels. (Offered as needed.) 2 credits.
Prerequisite, minimum of two years of woodwind study. Performance level to be approved by the instructor. Fundamentals of woodwind pedagogy from elementary through conservatory levels — emphasis on technique development, physiology, performance practice, repertoire, and pragmatic application to various educational levels. (Offered as needed.) 2 credits.
Prerequisite, minimum of two years of guitar study. Fundamentals of guitar pedagogy with emphasis on comparative guitar teaching method books, instruction for various age groups, and practical application to teaching in public and private settings. (Offered as needed.) 2 credits.
Prerequisite, three years of piano study. Fundamentals of piano pedagogy with emphasis on comparative piano teaching methods and practical application to teaching individuals of all ages. (Offered as needed.) 2 credits.
Prerequisite, minimum of two years of college–level vocal study. Fundamentals of vocal pedagogy with emphasis on historical background, comparative vocal methods, physiology, voice classification, and practical application to teaching individuals of all ages. (Offered fall semester.) 2 credits.
Prerequisite, consent of instructor. This course provides students with the opportunity to receive credit for internships with off-campus music organizations. P/NP. May be repeated for credit. (Offered every semester.) ½–3 credits.
Prerequisite, three years of piano study. Study of individual major composers or specific periods. Subjects vary. (Offered as needed.) 2 credits.
Prerequisite, consent of instructor. Study of individual major composers or specific periods. Subjects vary. (Offered as needed.) 2 credits.
Prerequisite, consent of instructor. Special study in music history, theory, composition, or conducting. Fee: $100. per credit. (Offered every semester.) 1-3 credits.
(Offered as needed.) 1-6 credits.
All undergraduate private music lesson instruction courses carry a variable credit load of 1 to 4 credits, for which each credit allows for a half-hour weekly lesson per semester (fees per credit: $220 for music majors, minors and music scholarship recipients; $500 for all others). All class instruction in guitar, piano, accompanying or voice are one credit per semester (fee: $90). All applied courses must be taken for credit (no audit allowed) and may be repeated for credit as course content changes every semester.
Prerequisite, MUS 113, or consent of instructor. All private music lesson instruction courses carry a variable load of 1 to 4 credits, for which each credit is for a half-hour weekly lesson per semester. No audit allowed. Must be taken for a letter grade. May be repeated for credit. Fee: $220. per credit for music majors and minors; $500 per credit for others. (Offered every semester.) 1-4 credits.
All private music lesson instruction courses carry a variable load of 1 to 4 credits, for which each credit is for a half-hour weekly lesson per semester. No audit allowed. Must be taken for a letter grade. May be repeated for credit. Fee: $220. per credit for music majors and minors; $500 per credit for others. (Offered every semester.) 1-4 credits.
The study of beginning singing technique and literature in a small group situation. May be repeated for credit as course content changes every semester. Fee: $90. (Offered every semester.) 1 credit.
All private music lesson instruction courses carry a variable load of 1 to 4 credits, for which each credit is for a half-hour weekly lesson per semester. No audit allowed. Must be taken for a letter grade. May be repeated for credit. Fee: $220. per credit for music majors and minors; $500 per credit for others. (Offered every semester.) 1-4 credits.
Prerequisite, consent of instructor. The development of skills in piano accompaniment of vocal or instrumental performance. May be repeated for credit. Fee: $90. (Offered every semester.) ½ credit.
Prerequisite, music majors only. This is an interactive class introducing the principles of the Alexander Technique and applying these principles to musical training. Material covered will include: developing the skill of self-observation; providing a physical understanding of poise as applied to musical performance; applying the Technique to daily activities; reducing levels of habitual muscular tension while playing an instrument or singing. P/NP. May be repeated for credit. Fee: $90. (Offered spring semester.) 1 credit.
An introductory course in playing the guitar. The emphasis will include basic sitting position and technique, music notation, first year repertoire, and pedagogy of guitar. May be repeated for credit as course content changes every semester. Fee: $90. (Offered every semester.) 1 credit.
An introductory course in playing the piano. The emphasis will include techniques of performance, note reading, and basic musicianship. May be repeated for credit as course content changes every semester. Fee: $90. (Offered every semester.) 1 credit.
Periodic meetings of students enrolled in similar private lesson instruction to study solo and ensemble repertory, pedagogical materials and teaching methods. (section KB, keyboard; section OR, orchestral instrument; section GU, guitar; section VO, voice.) P/NP. May be repeated for credit. (Offered every semester.) ½ credit.
All private music lesson instruction courses carry a variable load of 1 to 4 credits, for which each credit is for a half-hour weekly lesson per semester. No audit allowed. Must be taken for a letter grade. May be repeated for credit. Fee: $220. per credit for music majors and minors; $500 per credit for others. (Offered every semester.) 1-4 credits.
All private music lesson instruction courses carry a variable load of 1 to 4 credits, for which each credit is for a half-hour weekly lesson per semester. No audit allowed. Must be taken for a letter grade. May be repeated for credit. Fee: $220. per credit for music majors and minors; $500 per credit for others. (Offered every semester.) 1-4 credits.
The technique and pedagogy of stringed instruments. No special fee is charged. (Offered fall semester.) 1 credit.
The technique and pedagogy of woodwind instruments. No special fee is charged. (Offered spring semester.) 1 credit.
The technique and pedagogy of brass instruments. No special fee is charged. (Offered spring semester.) 1 credit.
The technique and pedagogy of percussion instruments. No special fee is charged. (Offered fall semester.) 1 credit.
Prerequisite, BM music education majors only. Group instruction in voice and vocal pedagogy for instrumental music education majors. Emphasis on understanding the basic foundation for a healthy technique for singing and the ability to impart that knowledge to elementary, junior and/or high school age students. May be repeated for credit. Fee: $90. (Offered as needed.) 1 credit.
Prerequisite, theatre major. The study of singing technique and performance in a small group situation. Class is structured toward performance of musical theater literature for the theater major. May be repeated for credit. Fee: $90. (Offered every semester.) 1 credit.
Prerequisite, MUS 113, or equivalent, or consent of instructor. This is an intermediate course in playing the guitar and is a continuation of the beginning guitar class, MUS 113. Areas covered include: accompaniment styles, strumming patterns, picking patterns, jazz chords, bar chords, open tunings, playing by ear, transposition, and sight–reading (melodies and two voices). May be repeated for credit as course content changes every semester. Fee: $90. (Offered every semester.) 1 credit.
All private music lesson instruction courses carry a variable load of 1 to 4 credits, for which each credit is for a half-hour weekly lesson per semester. No audit allowed. Must be taken for a letter grade. May be repeated for credit. Fee: $220. per credit for music majors and minors; $500 per credit for others. (Offered every semester.) 1-4 credits.
Prerequisites, music majors, or minors only, and consent of instructor. Advanced study in vocal technique. All private music lesson instruction courses carry a variable load of 1 to 4 credits, for which each credit is for a half-hour weekly lesson per semester. No audit allowed. Must be taken for a letter grade. May be repeated for credit. Fee: $220. per credit. (Offered every semester.) 1-4 credits.
Prerequisite, two years of private vocal instruction. Students will study operatic arias and art song in Italian, French, German, and English. Discussion of musical considerations relating to style and textual considerations. May be repeated for credit. Fee: $220 per credit. (Offered every semester.) 1-4 credits.
Prerequisite, two years of private instruction on major instrument, consent of instructor. An intensive course in instrumental coaching which focuses on collaborative music-making and interpretation of sonata repertoire. May be repeated for credit. Fee: $220 per credit. (Offered every semester.) 1-4 credits.
Periodic meetings of students enrolled in similar private lesson instruction to study solo and ensemble repertory, pedagogical materials and teaching methods. (Section KB, keyboard; section OR, orchestral instrument; section GU, guitar; section VO, voice.) P/NP. May be repeated for credit. (Offered every semester.) ½ credit.
All private music lesson instruction courses carry a variable load of 1 to 4 credits, for which each credit is for a half-hour weekly lesson per semester. No audit allowed. Must be taken for a letter grade. May be repeated for credit. Fee: $220. per credit for music majors and minors; $500 per credit for others. (Offered every semester.) 1-4 credits.
All private music lesson instruction courses carry a variable load of 1 to 4 credits, for which each credit is for a half-hour weekly lesson per semester. No audit allowed. Must be taken for a letter grade. May be repeated for credit. Fee: $220. per credit for music majors and minors; $500 per credit for others. (Offered every semester.) 1-4 credits.
Prerequisite, consent of instructor. A minimum of a half solo recital is required for the Bachelor of Music (Pre–Certification, Music Education) Instrumental and Vocal Emphasis, and the Bachelor of Music in Performance, Instrumental Emphasis — Keyboard Collaborative Arts degrees (solo piano performance.) (Offered every semester.) 0 credit.
All private music lesson instruction courses carry a variable load of 1 to 4 credits, for which each credit is for a half-hour weekly lesson per semester. No audit allowed. Must be taken for a letter grade. May be repeated for credit. Fee: $220. per credit for music majors and minors; $500 per credit for others. (Offered every semester.) 1-4 credits.
Prerequisites, major in BM performance with vocal emphasis only, and consent of instructor. Advanced study in vocal technique and artistry. Elements will include breathing/breath management, healthy phonation and balance of resonance with attention to articulation and correct diction in several languages. These elements will be integrated into songs and arias. Vocal Performance majors will work towards performing a full solo recital during their senior year of study. All private music lesson instruction courses carry a variable load of 1 to 4 credits, for which each credit is for a half-hour weekly lesson per semester. No audit allowed. Must be taken for a letter grade. May be repeated for credit. Fee: $220. per credit. (Offered every semester.) 1-4 credits.
Prerequisite, consent of instructor. The development of skills in piano accompaniment of vocal or instrumental performance. May be repeated for credit. Fee: $90. (Offered every semester.) ½ credit.
Prerequisite, consent of instructor. A full solo recital is required for the Bachelor of Music in Composition, Bachelor of Music in Performance — Conducting, Performance — Instrumental, Keyboard Collaborative Arts (full collaborative recital) and Performance — Vocal Emphasis degrees. (Offered every semester.) 0 credit.
These courses may be repeated for credit as course content changes every semester.
Prerequisite, consent of instructor. The University Choir, a selected ensemble, is open to students of all disciplines at Chapman University upon successfully passing an interview and audition. May be repeated for credit as course content changes every semester. (Offered every semester.) 1 credit.
Prerequisite, consent of instructor. The University Chorale is open to students of all disciplines at Chapman University, and generally consists of students with modest vocal ability. May be repeated for credit as course content changes every semester. (Offered every semester.) 1 credit.
Prerequisite, consent of instructor. The University Singers, a selected ensemble with major emphasis on chamber literature, is open to students of all disciplines at Chapman upon successfully passing an interview and audition. May be repeated for credit as course content changes every semester. (Offered every semester.) 1 credit.
Prerequisite, consent of instructor. A class of selected students devoted to the study of scenes, ensembles and arias from the standard operatic or musical theatre literature, with emphasis on the singing actor, stage deportment, and the special techniques of the operatic singer. Performances of scenes, or complete operas, or musicals. May be repeated for credit as course content changes every semester. (Offered spring semester.) 1 credit.
Prerequisite, consent of instructor. The symphony orchestra offers an orchestral performance experience to qualified students of Chapman University and members of the community. May be repeated for credit as course content changes every semester. (Offered every semester.) 1 credit.
Prerequisite, consent of instructor. The university women's choir, a selected ensemble, is open to students of all disciplines at Chapman University upon successfully passing an interview and audition. May be repeated for credit as course content changes every semester. (Offered every semester.) 1 credit.
Prerequisite, consent of instructor. The wind ensemble offers performance experience to qualified students at Chapman University. May be repeated for credit as course content changes every semester. (Offered every semester.) 1 credit.
Prerequisite, consent of instructor. The big band offers rehearsal and performance experience of traditional, modern, and original Big Bang Jazz repertoire to qualified students at Chapman University. May be repeated for credit as course content changes every semester. (Offered every semester.) 1 credit.
Prerequisite, consent of instructor. The chamber orchestra offers rehearsals and performances of music written for small orchestra. May be repeated for credit as course content changes every semester. (Offered every semester.) 1 credit.
Prerequisite, consent of instructor. Chamber music ensemble such as a string quartet, woodwind quintet, brass quintet, jazz ensemble, new music ensemble, early music ensemble, vocal chamber ensemble, vocal jazz ensemble, opera workshop, percussion ensemble, piano quartet, etc. May be repeated for credit as course content changes every semester. (Offered every semester.) ½ credit.